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''The Vagina Monologues'' is an episodic play written by Eve Ensler which ran at the Off Broadway Westside Theatre after a limited run at HERE Arts Center in 1996. Charles Isherwood of ''The New York Times'' called the play "probably the most important piece of political theater of the last decade."〔http://www.nytimes.com/2006/09/03/theater/03ishe.html?pagewanted=all&_r=0〕 In 2011, Ensler was awarded the Isabelle Stevenson Award at the 65th Tony Awards, which recognizes an individual from the theater community who has made a substantial contribution of volunteered time and effort on behalf of humanitarian, social service, or charitable organizations.〔http://www.playbill.com/news/article/athol-fugard-philip-j.-smith-eve-ensler-win-special-tony-awards-177969〕 Ensler originally starred in the production which was produced by David Stone, Nina Essman, Dan Markley, The Araca Group, Willa Shalit and the West Side Theater. When she left the play, it was recast with three celebrity monologists. The play has been staged internationally, and a television version featuring Ensler was produced by cable TV channel HBO. In 1998, Ensler and others, including Willa Shalit, a producer of the Westside Theatre production, launched V-Day, a global non-profit movement that has raised over $100 million for groups working to end violence against women and girls anti-violence through benefits of ''The Vagina Monologues''.〔()〕 ==Plot summary== ''The Vagina Monologues'' is made up of a varying number of monologues read by a varying number of women (initially, Eve Ensler performed every monologue herself, with subsequent performances featuring three actresses, and more recent versions featuring a different actress for every role). Each of the monologues deals with an aspect of the feminine experience, touching on matters such as sex, love, rape, menstruation, female genital mutilation, masturbation, birth, orgasm, the various common names for the vagina, or simply as a physical aspect of the body. A recurring theme throughout the piece is the vagina as a tool of female empowerment, and the ultimate embodiment of individuality. Some monologues include: * ''I Was Twelve, My Mother Slapped Me'': a chorus describing many young women's and girls' first menstrual period. * ''My Angry Vagina'', in which a woman humorously rants about injustices wrought against the vagina, such as tampons, douches, and the tools used by OB/GYNs. * ''My Vagina Was My Village'', a monologue compiled from the testimonies of Bosnian women subjected to rape camps. * ''The Little Coochie Snorcher That Could'', in which a woman recalls memories of traumatic sexual experiences in her childhood and a self-described "positive healing" sexual experience in her adolescent years with an older woman. This particular skit has sparked outrage, numerous controversies and criticisms due to its content, among which the most famous is the Robert Swope controversy (see below). In the original version, she is 13, but later versions changed her age to 16. It also originally included the line, "If it was rape, it was a good rape", which was removed from later versions. * ''Reclaiming Cunt'', a piece narrated by a woman who illustrates that the word "cunt" itself is a lovely word despite its disconcerting connotations. * ''The Woman Who Loved to Make Vaginas Happy'', in which a sex worker for women discusses the intriguing details of her career and her love of giving women pleasure. In several performances it often comes at the end of the play, literally climaxing with a vocal demonstration of a "triple orgasm". * ''Because He Liked to Look At It'', in which a woman describes how she had thought her vagina was ugly and had been embarrassed to even think about it, but changed her mind because of a sexual experience with a man named Bob who liked to spend hours looking at it. * ''I Was There in the Room'', a monologue in which Eve Ensler describes the birth of her granddaughter. Every year a new monologue is added to highlight a current issue affecting women around the world. Every V-Day thousands of local benefit productions are staged to raise funds for local groups, shelters, and crisis centers working to end violence against women. In 2003, for example, Ensler wrote a new monologue about the plight of women in Afghanistan under Taliban rule. This monologue is known as "Under the Burqa". 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Vagina Monologues」の詳細全文を読む スポンサード リンク
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